Saturday, 10 April 2010

[X948.Ebook] Download PDF Cop in the Hood: My Year Policing Baltimore's Eastern District, by Peter Moskos

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Cop in the Hood: My Year Policing Baltimore's Eastern District, by Peter Moskos

When Harvard-trained sociologist Peter Moskos left the classroom to become a cop in Baltimore's Eastern District, he was thrust deep into police culture and the ways of the street--the nerve-rattling patrols, the thriving drug corners, and a world of poverty and violence that outsiders never see. In Cop in the Hood, Moskos reveals the truths he learned on the midnight shift.

Through Moskos's eyes, we see police academy graduates unprepared for the realities of the street, success measured by number of arrests, and the ultimate failure of the war on drugs. In addition to telling an explosive insider's story of what it is really like to be a police officer, he makes a passionate argument for drug legalization as the only realistic way to end drug violence--and let cops once again protect and serve. In a new afterword, Moskos describes the many benefits of foot patrol--or, as he calls it, "policing green."

  • Sales Rank: #112616 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2009-08-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .80" w x 5.40" l, .65 pounds
  • Binding: Paperback
  • 280 pages
Features
  • Used Book in Good Condition

Review
"Remarkable. . . . Moskos manages to capture a world that most people know only through the distorting prism of television and film, where police officers are usually portrayed as quixotically heroic or contemptibly corrupt."--Daniel Horan, Wall Street Journal

"Moskos's overview of policing problems covers everything from arrest quotas, corrupt cops and excess paperwork to the reliance on patrolling in cars. . . . Moskos blends narrative and analysis, adding an authoritative tone to this adrenaline-accelerating night ride that reveals the stark realities of law enforcement."--Publishers Weekly

"Riveting. . . . [A]n unsparing boys-in-blue procedural that succeeds on its own plentiful--and wonderfully sympathetic--merits."--Atlantic

"Truly excellent. . . . This is one of the two or three best conceptual analyses of 'cops and robbers' I have read. It is mandatory reading for all fans of The Wire and recommended for everyone else."--Tyler Cowen, Marginal Revolution

"Moskos provides readers with an inside look into being a cop, just as Ted Conover (Newjack) gave readers an inside look into being a prison guard. Both books are equally compelling. Moskos, like Conover, became an insider. . . . Moskos writes with clarity, compassion, insight, and knowledge."--Choice

"Cop In The Hood, by Peter Moskos offers readers a riveting insight on experience as a police officer in Baltimore, Maryland's crime infested eastern district. . . . The insight of the author coupled with the actual quotes of real police officers provides the reader with an exceptional view of police behaviors and the day-to-day obstacles that officers face while policing the communities they patrol."--Monica J. Massey, Academy of Criminal Justice Sciences Today

"For anyone interested is what being a police officer in Baltimore City is really like, Peter Moskos' in-depth, academic, and realist account in Cop in the Hood is a must-read. . . . Whether one agrees or not with Moskos' opinion on drug legalization, one will most certainly enjoy this enlightening and authoritative work on policing a rough area of Baltimore City."--Sean O'Donnell, Baltimore Republican Examiner

"Anyone interested in the study of disadvantaged neighborhoods should read this book, if only to understand the ways in which police influence the daily life in modern cities."--Andrew V. Papachristos, American Journal of Sociology

From the Back Cover

"A devastating critique of America's failed war on drugs. Cop in the Hood is a powerful and truly unique document in the sociology of criminal justice. Using an original blend of personal experience, adroit cultural interpretation, and hard-edged sociological analysis, Moskos sympathetically dissects the social context of the drug users' world, and shows us this tragedy close up from the police perspective."--Orlando Patterson, Harvard University


"Cop in the Hood is a thoughtful, highly entertaining record of a police officer's year spent patrolling one of the country's toughest urban districts, delivered by Moskos, who wore the uniform. For those who are interested in crime and how things work, and for readers seeking a reasoned look at the war on drugs and its implications, this is the handbook."--George Pelecanos, writer and producer for The Wire


"This riveting tale of policing begins honestly and continues with great sincerity and pathos. A sensitive and timely account of the daily trials of police work by someone who knows Baltimore's streets firsthand, Cop in the Hood challenges journalists, social scientists, and others who profess knowledge of the inner city to walk those streets before making bold declarations and righteous claims for policy and redress. A must-read."--Sudhir Venkatesh, author of Gang Leader for a Day: A Rogue Sociologist Takes to the Streets


"Peter Moskos, a sociologist by training, somewhat inadvertently became a police officer. Cop in the Hood is the fortuitous and fascinating result. It gives the reader the real dope from someone with the training and ability to put the street into the larger context. Highly recommended."--Alex Tabarrok, George Mason University, cofounder of marginalrevolution.com


"Cop in the Hood is an extremely valuable study centered on patrolling a drug-infested Baltimore police district. Readers interested in drug policy, criminology, or policing cannot help but to learn a lot from this book. I know that I did, and I am grateful to the author. Many of his insights are eye-opening. His voice is unique and essential in debates concerning drug-policy reforms."--Jim Leitzel, University of Chicago


About the Author
Peter Moskos is assistant professor of law, police science, and criminal justice administration at John Jay College of Criminal Justice and at the City University of New York's Doctoral Program in Sociology. He is a former Baltimore City police officer.

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56 of 61 people found the following review helpful.
Decent, But Not Very Engaging
By A. Ross
Despite the terrible cover (even by academic press standards), this looked right up my alley for a number of reasons: (1) a good friend just moved to Baltimore and I've been trying to read more about the city, (2) I know mainstream Baltimore pretty well and was interested in learning about a part of the city I've never ventured into, (3) I've been a big fan of The Wire since season one, and wanted to see how closely reality coincided with that drama, and (4) I've been on a bit of a "academic as participant/observer" reading binge lately, including books like Brothel, Rolling Nowhere, and Gang Leader for a Day, and wanted to compliment those with a inside look at policework.

Like those three books, this one was born from academic roots, as Moskos was scouting around for a project for his PhD dissertation. After approaching and being rejected by several city police forces, the Baltimore PD accepted his proposal to work as a cop for a year with the knowledge he would write about his experience. So, the good news is that his account of policing starts from day one at the academy and proceeds unbroken for twenty months, which is a marked contrast to some of the books mentioned above, in which the authors dip in and out of the culture/life they are exploring. The bad news is that everyone Moskos served with knew he was writing a book. The problem of observation influencing behavior is well-established in documentary film and ethnography, and Moskos seems to underplay it's effects a bit too much.

Some more good news is that Moskos is meticulous is outlining both the psychology and procedure of being a patrol officer. As a city employee myself, it didn't surprise me (though it did depress me), the extent to which urban policework is hindered by bureaucracy and administrative fiat. The overreliance on patrolling from cars, the strict adherence to the policy of immediate response to any call for service (311 or 911 call), the avalanche of paperwork generated by any officer activity, all of these contribute to a environment that lends itself to officers "gaming the system" for their own comfort and/or financial benefit. While I love this kind of insider procedural detail and the explanations of the mentality it engenders, the book suffers from being a good deal too dry.

To a certain extent, this reflects the reality of most policework, which is boring and laden with paperwork. However, the books I mentioned are all engaging precisely because their authors do a great job of making characters out of themselves an the subjects of their study, and that just doesn't happen here. Moskos never lets us get to know his fellow officers or much of himself, and without that personal connection, it ends up reading like a long social policy paper (or a revised dissertation, which it i). The ultimate policy conclusion of the book is not a shocking one, but for those interested in the "war on drugs" it's certainly worth reading, as it is capably outlined and grounded in Moskos' personal fieldwork. Basically, Moskos argues that the war on drugs is a total disaster from a policing perspective, creating a huge drain on resources that could be more effectively directed at other social problems. He believes that the country has yet to learn the lesson easily drawn from the history of alcohol prohibition (which he goes into in rather digressive length and detail), which is that making things illicit merely removes it from government control (and taxation), without reducing demand.

While I'm personally more or less on board with this conclusion and am heartened to see it supported up by Moskos' day-to-day patrolman experiences, it's not really what I came to read about. The book will tell you very little at all about Baltimore (perhaps because Moskos is not from there), and beyond spelling out some of street-level mechanics of the drug trade, there's not much here about East Baltimore you couldn't have gleaned from The Wire and/or The Corner. To a certain extent, one has to feel a little bad for Moskos, since that show kind of steals his thunder. Which bring up another point, his service was about seven years ago, and one has to wonder to what extent things have changed since then, if 9/11 has had an impact on policing, or the increased use of computers, for example.

In any event, while it's certainly readable (aside from numerous typos), it never really engages, and that's why I ultimately found it somewhat disappointing. I would highly highly recommend it to anyone thinking about becoming a city cop, and it' also probably worth reading if you're into criminology, ethnography, and drug policy -- otherwise it's probably of limited interest.

0 of 0 people found the following review helpful.
Insightful
By bernadette maher
Very interesting read, gives insight into what cops deal with in their careers.

25 of 29 people found the following review helpful.
Decent Effort, But Missing a Few Beats
By Richard A. Jenkins
Moskos' book recounts his 14 months on the beat and his training as a Baltimore city police officer. The book is an abridged version of his doctoral dissertation. Turning a dissertation into popular reading is difficult and the book falls down in a number of places. A long history of Prohibition suddenly turns up at the end and is only partially well woven into the text. There are other drifts into facts and figures, as well, and the effect tends to be more didactic than illuminating. For example, there is a needless listing of arrest statistics for Moskos and his colleagues, where a sentence or two about the range of arrest records would have sufficed. Like many ethnographies, some of the most interesting details are in the footnotes (actually, endnotes here), often told more concisely and succinctly written than much of the main text. There also are longitudinal survey data that don't get discussed at all until the endnotes and would seem to have materially affected Moskos' relationship with other officers. He tends to minimize the impact of writing a book on his relationships and observations, beyond his introduction to the force and one wonders how well he actually monitored all of that. In addition, very routine, often difficult aspects of policing such as domestic violence (mentioned in passing) and dealing with the mentally ill (no mention at all) get little coverage here.

Despite the detail, the book really fails to get at a certain level of depth in terms of the relationships among cops and the motivations to join and remain on the force. Indeed, some interesting information on racial and gender differences in motivation to join the force turn up in the endnotes and apparently will be part of another publication. Moskos pulls punches a bit with regard to the conduct of his fellow officers. His father (noted military sociologist Charles Moskos) has been criticized for taking many aspects of the military's "color blindness" and meritocracy at face value. Moskos seems to do the same early on in his book with respect to the presence of corruption and other misconduct, yet the endnotes indicate that 10% of his class left the police because of their conduct, a remarkable percentage in a field where it is difficult to fire people with a certain level of tenure. Later on in the book, Moskos does talk about people who seem to have limited motivation or other problems in the job and intimates at excessive uses of force. Because this kind of material is not well developed, it becomes difficult to see the context where misconduct or poor performance occur and the motivations of the people involved. The web of relationships among the officers and the sense of Moskos' colleagues as people could have been better developed with more attention to case studies. He may have wished to protect identities, and avoided this, although other information, like arrest records would seem to offer thin protection of confidentiality. Compared with classic, intimate ethnographic portraits like "Street Corner Society" or "The Urban Villagers", the book falls short, particularly in relation to Whyte's appreciation of everyday language or Gans' ability to go back and forth between jargon and everyday life.

Moskos lays out a number of policy proposals, but they seem a bit naive, particularly in terms of how they would be introduced, implemented and monitored. The orientation of law enforcement and the culture that reinforces it are well developed in the book, but their impediments to change are not well considered. Similarly, comparisons with the Netherlands fail to take into account differences in culture, social structure, etc. that would affect adaptation to the US.

If readers are concerned that I'm a little harsher than earlier reviewers, a few considerations are in order: I'm not his brother; I've done qualitative research; I have known police officers, personally, at a number of points in my life; and previously had some involvement in the evaluation of prospective police cadets. Like Moskos, I also took time off from my studies and worked in a sometimes dangerous field where I occasionally had contact with police---in my case working in psychiatric hospitals, which gave me an irreplaceable education. The psychiatric field has no end of ethnographic and journalistic accounts of varying quality, as well as fiction based on fact like "One Flew Over the Cukoo's Nest". I ca appreciate academic aspects of the book, as well as its popular appeal and the bridges between the two. Moskos' book will inform those who haven't had much to do with police, but are curious. Unfortunately, this will require some plowing through tedious detail, and some people may not make it all the way through. On the other hand, a reading of a good journalistic account of police work such as David Simon's "Homicide" (also taking place in Baltimore), might be more enjoyable.

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Thursday, 8 April 2010

[H540.Ebook] Get Free Ebook Love Burning Deep: Poems and Lyrics, by Kathy Galloway

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Love Burning Deep: Poems and Lyrics, by Kathy Galloway

  • Sales Rank: #5280855 in Books
  • Published on: 1993-01-14
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 112 pages

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Tuesday, 6 April 2010

[P353.Ebook] PDF Download The Bell Jar, by Sylvia Plath

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The Bell Jar, by Sylvia Plath

The Bell Jar is Sylvia Plath’s shocking, realistic, and intensely emotional novel of a woman falling into the grips of insanity, now available in an Olive Edition—a lower-priced small format edition with a hip and beautiful package design. A haunting American classic, The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time.

  • Sales Rank: #1288940 in Books
  • Published on: 2009-11-03
  • Released on: 2009-11-03
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.13" h x .93" w x 4.50" l, .56 pounds
  • Binding: Paperback
  • 336 pages

Amazon.com Review
Plath was an excellent poet but is known to many for this largely autobiographical novel. The Bell Jar tells the story of a gifted young woman's mental breakdown beginning during a summer internship as a junior editor at a magazine in New York City in the early 1950s. The real Plath committed suicide in 1963 and left behind this scathingly sad, honest and perfectly-written book, which remains one of the best-told tales of a woman's descent into insanity.

Review
"'In looking at the madness of the world and the world of madness [this book] forces us to consider the great question posed by all truly realistic fiction: what is reality and how can it be confronted?' New York Times Book Review"

From the Publisher
A vulnerable young girl wins a dream assignment on a big-time New York fashion magazine and finds herself plunged into a nightmare. An autobiographical account of Sylvia Plath's own mental breakdown and suicide attempt, The Bell Jar is more than a confessional novel, it is a comic but painful statement of what happens to a woman's aspirations in a society that refuses to take them seriously... a society that expects electroshock to cure the despair of a sensitive, questioning young artist whose search for identity becomes a terrifying descent toward madness.

"A fine novel, as bitter and remorseless as her last poems -- the kind of book Salinger's Fanny might have written about herself ten years later, if she had spent those ten years in Hell." -- Robert Scholes, The New York Times Book Review.

"By turns funny, harrowing, crude, ardent and artless. Its most notable quality is an astonishing immediacy, like a series of snapshots taken at high noon." -- Time.

"A special poignance... a special force, a humbling power, because it shows the vulnerability of people of hope and good will." -- Newsweek.

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11 of 11 people found the following review helpful.
A great talent lost.
By Annie
Every now and again a book comes along that truly impacts on one and once read will never be forgotten.
The autobiographical novel by Sylvia Plath, describing her painful ordeal when she becomes mentally ill is such a book.
This could have been a thoroughly depressing and self centred story in the hands of another and many may assume this when reading the blurb.
However do not be put off, because The Bell Jar is anything BUT depressing.
Plath writes with great humour and I laughed out loud more than once.
She also writes with the intelligence and skill of someone twice her age.
Her battle with mental illness (Bipolar Disorder) and her eventual recovery is written so honestly, so brilliantly I was more than impressed.
Of course there is sadness in the aftermath of the book because we know she actually took her own life at aged thirty, the same year The Bell Jar was published.
The world is a little worse off with the loss of this wonderful talent.
Anyone who has any inkling of how The Black Dog can grab you by the scruff of the neck from out of the blue will appreciate this book and anyone who simply enjoys outstanding literature will be equally impressed.
A great talent.

4 of 4 people found the following review helpful.
I AM
By Reader2307
The Bell Jar is Sylvia Plath's only novel and chronicles one woman's descent into a deep and dark depression. Esther Greenwood is an incredibly intelligent and wonderfully peculiar student with an ambition to become a great writer. She is in college and also doing an internship at a magazine which she hopes will lead to her being discovered. It is while doing this internship that she begins to feel more and more disillusioned with the world and increasingly detached from her own existence.

Plath handles Esther's emotional problems with tenderness and understanding. Esther is not treated as overly emotional or hysterical and neither is she babied - Plath treats her with the respect that all depressed people deserve. I also thought that Plath handled the coming-of-age theme masterfully. It is often in our youth, particularly in our early twenties, that we begin to feel overwhelmed with the amount of choices we must make. Choices we know could have irrevocable consequences for the rest of our lives. It's not easy figuring it all out and I think most readers will be able to relate to the hunt for something solid to hold onto as well as the quest to make a meaningful contribution to the world.

Esther is that rare unforgettable protagonist that crawls deep into the reader's mind and heart and begins to feel like an old friend.

1 of 1 people found the following review helpful.
It already feels like it’s been a part of me for a decade
By Emily
This book completely surrounded me, and I can’t believe I haven’t read it before this year. It already feels like it’s been a part of me for a decade. Yes, it’s depressing, but it’s so real. I felt everything in a very melancholy, all-consuming way. And it was wonderful. I found lines from the book floating into my mind as they related to my life. This novel sat on my heart for a very long time.

I'm amazed at how contemporary it felt. She talks about scenarios that still play out today (Post-grad blues, sex taboo, etc.) I think it mainly felt contemporary because she is so blunt and honest. And so poetic. What an amazing read.

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[E457.Ebook] Download PDF The Impossible, by Georges Bataille

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The Impossible, by Georges Bataille

The Impossible, by Georges Bataille



The Impossible, by Georges Bataille

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The Impossible, by Georges Bataille

In a philosophical erotic narrative, an essay on poetry, and in poems Georges Bataille pursues his guiding concept, the impossible. The narrator engages in a journey, one reminiscent of the Grail quest; failing, he experiences truth. He describes a movement toward a disappearing object, the same elusive object that moved Theresa of Avila and Catherine of Siena to ecstasy.

  • Sales Rank: #1073560 in Books
  • Brand: Brand: City Lights Publishers
  • Published on: 2001-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 5.50" l, .50 pounds
  • Binding: Paperback
  • 188 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English (translation)
Original Language: French

About the Author
Georges Bataille (1897-1962) was a French writer, essayist, and philosopher whose works include "The Story of the Eye", "The Blue of Noon", "The Accursed Share", and "Theory of Religion".

Most helpful customer reviews

12 of 14 people found the following review helpful.
The new Ulysses
By Soren
I believe that one day people will come back to this book and consider it to be as ground breaking for the novel as Ulysses was.

It is simply amazing.

There were parts that were so haunting and that drew me to such deep unconscious wells that I felt like screaming at the book with all my strength, eating it, and then crawling under my bed chuckling madly.

I have seen Her. I have seen Him. And it has all happenned over and over again across the ages.

If the future is capable of writing more gems like this, then we have something to look forward to after all.

1 of 1 people found the following review helpful.
A VERY DIVERSE BOOK BY THE FRENCH WRITER
By Steven H Propp
Georges Albert Maurice Victor Bataille (1897–1962) was a French philosopher, novelist, and literary critic (and a librarian by profession); he wrote many books, including The Accursed Share: an Essay on General Economy, Vol. 1: Consumption, The Accursed Share, Vols. 2 and 3: The History of Eroticism and Sovereignty, On Nietzsche, Visions Of Excess: Selected Writings, 1927-1939, The Tears of Eros, etc.

He wrote in the Preface to the second edition of this 1947 book, “Like the fictional narratives of novels, the texts that follow---the first two at any rate---are offered with the intention of depicting the truth. Not that I’m led to believe they have a convincing quality. I didn’t wish to deceive. Moreover there is not any novel in principle. And I couldn’t imagine doing that in my turn better than anyone else. Indeed I think in a sense my narratives clearly attain the IMPOSSIBLE. To be honest, these evocations have a painful heaviness about them. This heaviness may be tied to the fact that that at times horror had a real presence in my life. It may be too that, even when reduced to fiction, horror alone still enabled me to escape the empty feeling of untruth… I first published this book fifteen years ago, giving it an obscure title: ‘The Hatred of Poetry.’ It seemed to me that true poetry was reached only by hatred. Poetry had no powerful meaning except in the violence of revolt. But poetry attains this violence only by invoking the IMPOSSIBLE. Almost no one understood the meaning of the first title, which is why I prefer finally to speak of ‘The Impossible.’ It’s true that this second title is far from being clearer.”

He says, “…if now I think---at this most far away moment of a breakdown, a physical and moral disgust---of the pink tail of a rat in the snow, it seems to share in the intimacy of ‘that which is’; a slight uneasiness clutches my heart. And certainly I know that the immediacy of M., who is dead, was like the tail of a rat, lovely as the tail of a rat! I knew already that the intimacy of things is death… and naturally, NAKEDNESS IS DEATH---and the more truly ‘death’ the lovelier it is!” (Pg. 54)

He observes, “What unimaginable force would my lamentations have had if there were a God? ‘Think about it though. Nothing can escape you now. If God doesn’t exist, this moan, choked back in your solitude, is the extreme limit of the possible: in this sense there is no element of the universe that is not under its power! It is not subject to anything, it dominates everything and yet is formed out of an infinite awareness of impotence: out of a sense of the impossible to be exact!’” (Pg. 78-79)

He states, “I know, I only have to give way to the imperceptible slide of trickery: a slight change and I put an eternal stop to what chilled me: I tremble before God, I raise the desire to tremble to infinity! If human reason (the human limit) is exceeded by the very object to which the limit is given, if E.’s reason succumbs, I can only harmonize with the excess that will destroy me in my turn. But the excess that burns me is the harmony of love within me and I don’t tremble before God, but with love.” (Pg. 100)

He suggests, “It’s funny we’re so unconcerned about this quagmire of sleep. We forget it and don’t see that our unconcern gives our ‘lucid’ airs a mendacious quality. Just now, the slaughterhouse animality of my recent dreams (everything around me disturbed, but delivered over to appeasement) awakens me to the feeling of death’s ‘violation.’ In my view nothing is more precious than the exuberance of rust; nor than a certainty in the sunshine of barely escaping the mildew of the earth. The truth of life cannot be separated from its opposite and if we flee the smell of death, ‘the disorder of the senses’ brings us back to the happiness that is connected with it.” (Pg. 115-116)

This book will be of interest to those studying Bataille.

1 of 1 people found the following review helpful.
A VERY DIVERSE BOOK BY THE FRENCH WRITER
By Steven H Propp
Georges Albert Maurice Victor Bataille (1897–1962) was a French philosopher, novelist, and literary critic (and a librarian by profession); he wrote many books, including The Accursed Share: an Essay on General Economy, Vol. 1: Consumption, The Accursed Share, Vols. 2 and 3: The History of Eroticism and Sovereignty, On Nietzsche, Visions Of Excess: Selected Writings, 1927-1939, The Tears of Eros, etc.

He wrote in the Preface to the second edition of this 1947 book, “Like the fictional narratives of novels, the texts that follow---the first two at any rate---are offered with the intention of depicting the truth. Not that I’m led to believe they have a convincing quality. I didn’t wish to deceive. Moreover there is not any novel in principle. And I couldn’t imagine doing that in my turn better than anyone else. Indeed I think in a sense my narratives clearly attain the IMPOSSIBLE. To be honest, these evocations have a painful heaviness about them. This heaviness may be tied to the fact that that at times horror had a real presence in my life. It may be too that, even when reduced to fiction, horror alone still enabled me to escape the empty feeling of untruth… I first published this book fifteen years ago, giving it an obscure title: ‘The Hatred of Poetry.’ It seemed to me that true poetry was reached only by hatred. Poetry had no powerful meaning except in the violence of revolt. But poetry attains this violence only by invoking the IMPOSSIBLE. Almost no one understood the meaning of the first title, which is why I prefer finally to speak of ‘The Impossible.’ It’s true that this second title is far from being clearer.”

He says, “…if now I think---at this most far away moment of a breakdown, a physical and moral disgust---of the pink tail of a rat in the snow, it seems to share in the intimacy of ‘that which is’; a slight uneasiness clutches my heart. And certainly I know that the immediacy of M., who is dead, was like the tail of a rat, lovely as the tail of a rat! I knew already that the intimacy of things is death… and naturally, NAKEDNESS IS DEATH---and the more truly ‘death’ the lovelier it is!” (Pg. 54)

He observes, “What unimaginable force would my lamentations have had if there were a God? ‘Think about it though. Nothing can escape you now. If God doesn’t exist, this moan, choked back in your solitude, is the extreme limit of the possible: in this sense there is no element of the universe that is not under its power! It is not subject to anything, it dominates everything and yet is formed out of an infinite awareness of impotence: out of a sense of the impossible to be exact!’” (Pg. 78-79)

He states, “I know, I only have to give way to the imperceptible slide of trickery: a slight change and I put an eternal stop to what chilled me: I tremble before God, I raise the desire to tremble to infinity! If human reason (the human limit) is exceeded by the very object to which the limit is given, if E.’s reason succumbs, I can only harmonize with the excess that will destroy me in my turn. But the excess that burns me is the harmony of love within me and I don’t tremble before God, but with love.” (Pg. 100)

He suggests, “It’s funny we’re so unconcerned about this quagmire of sleep. We forget it and don’t see that our unconcern gives our ‘lucid’ airs a mendacious quality. Just now, the slaughterhouse animality of my recent dreams (everything around me disturbed, but delivered over to appeasement) awakens me to the feeling of death’s ‘violation.’ In my view nothing is more precious than the exuberance of rust; nor than a certainty in the sunshine of barely escaping the mildew of the earth. The truth of life cannot be separated from its opposite and if we flee the smell of death, ‘the disorder of the senses’ brings us back to the happiness that is connected with it.” (Pg. 115-116)

This book will be of interest to those studying Bataille.

See all 8 customer reviews...

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[U188.Ebook] PDF Ebook What Happened in the Garden?: The Reality and Ramifications of the Creation and Fall of ManFrom Kregel Academic

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What Happened in the Garden?: The Reality and Ramifications of the Creation and Fall of ManFrom Kregel Academic

Evangelicals are no strangers to the creation versus evolution debate. Now the argument has spread beyond the contents of the creation account and into Genesis 2-3, with speculation about the historicity of Adam, and the fall. But does it matter which position one holds? Is anything really at stake?

The faculty of The Master's College come together to contend that the second and third chapters of Genesis are indeed historical, that there are excellent reasons for believing so, and that it is an essential issue within Christian thought and life. The contents of these chapters establish the history of how everything in the world came to be what it is today. This Scripture passage—Genesis 3 especially—explains what we observe in the legal system, literature, gender roles, education, psychology, and science. Far from irrelevant, the theology and historicity of Genesis are in fact critical to our everyday lives.

What Happened in the Garden? includes new scientific, literary, business, educational, and legal perspectives on creation. Through this multidisciplinary look at the debate, the contributors prove that to change our understanding of the fall is to change the way we understand reality, to revise the Christian worldview, and to reshape the faith itself.

  • Sales Rank: #139436 in Books
  • Published on: 2016-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .60" w x 5.90" l, .0 pounds
  • Binding: Paperback
  • 304 pages

About the Author
Abner Chou is professor of biblical studies at The Master’s College and Seminary. His other works include I Saw the Lord: A Biblical Theology of Vision and a commentary on Lamentations (Evangelical Exegetical Commentary).

Most helpful customer reviews

0 of 0 people found the following review helpful.
A must for your library
By Pastor Jim Gray
Abner Chou (Editor), WHAT HAPPENED IN THE GARDEN, Grand Rapids MI, Kregel Academic, 2016, 301 pages.

It was with anticipation that I looked to and wanted to read this book. In recent years a renewed effort among evangelicals questions the historical reliability of Adam, the garden, and the fall. The book reasons for the importance of the beginning chapters of the Bible; it is foundational for the whole Bible and the reliance on theology to life itself. This book answers the issues and defends the orthodox view of these three chapters of Genesis. It is a work by the faculty of The Master’s College. In light of the allegations by some evangelicals in the recent debate, a new defense is necessary.

The book is divided into three sections. These sections deal with the historicity, theology, and scientific elements of the revelation of these chapters section by section.

Section 1: Reality of Genesis 2-3. This is divided into four chapters. In this section the foundation of the book is being laid. Chapter 1 deals with Hermeneutic and History in Genesis 3. Abner Chou does a good job of identifying the issues involved. The issues revolve around exegetical issues; issues of history and theology, which he identifies the thesis that history is the ground of theology. It is the way theology works. He debunks the mythology view. Chapter 2 and 3 (by Todd Charles Wood and Joseph W. Francis), deals with Adam and the Animals and the Genetics of Adam. In regard to Adam and the animals the authors make clear Adam was a product of special creation in the image of God, and for the purpose of dominion over the earth. They deal with this in contrast to evolution. They bring out the distinction between humans and the higher forms of life in the animals (i.e. apes). Creation of kinds can be distinguished. We need to recognize the difference between as well as within evolution and creation. They continue to examine evolution and creation with a chapter of Genetics of Adam. In this chapter they argue for the young earth model of creation and history. This chapter is one of the most difficult for understanding of the problem and not reader friendly. However, they do show their intended purpose that evolution is not the only way that changes in the human race could take place. Chapter 4 is on Map of Misreading’s (by Grant Horner). This chapter brings us back to basics, which is understanding the text correctly. This is vital for it is the core of understanding of the Bible, theology, and its practice. He suggests that the text is not the problem; it is in the explanation of the text that misreading occurs. Because of our sin, our tendency is to explain away, de- historicize, and misread Genesis 3. We must read the text features as a story, told simply and clearly, meaning exactly what it says.

Section 2 deals with Theological Ramification of the Creation and Fall. This section contains only two chapters. First is Genesis 3 and original sin by Paul R. Thorell. He approaches the subject in what I would regard in reverse order—beginning with the historical church view; to Paul’s view of Genesis 3; back to the prophets; and ending with Pentateuchal context. All the areas uphold that Adam’s transgression had universal consequences on his posterity—sin, death, and judgment. The second is on the Seed and Schaeffer by William Varner. Francis Schaeffer advocated that dualism of history (lower story) and faith (upper story) strongly influenced religious thought. That faith does not need some objective verifiable events in space-time history. He views Schaeffer’s philosophy in the context of Genesis 3. Varner upholds the Messianic promise of Genesis 3:15, and the reality of Adam and Eve as historical. One needs to read this chapter on Genesis 3:15 in regard to the promise.

Section 3 is the largest section of the book. It consists of seven chapters. The section deals with the reality of sin and its effects upon this world and mankind. Each chapter looks at the fall through different lenses. R.W. Mackey deals with three effects on Human enterprise (Chapter 7). Taylor Jones has an excellent chapter of the effects of the curse through the lense of thermodynamics (Chapter 8). This chapter will speak to those that have a orientation. For those of legal minds, George Crawford looks at the legal aspects of the fall (Chapter 9). Ernie Baker through the line of psychology (Chapter 10). Jo Suzuki deals with the subject through the lense of the topic of gender. Alexander Granados of the importance of the Historical Adam in education and our Christian curriculum. John MacArthur concludes this section by upholding the doctrine of original sin.

The book centers around the important and vital issues of Genesis 3 (mainly). In light of developments in theology, history, and the world events. This book is timely and important. It upholds the historical interpretation of this key chapter. In reality, our interpretation of the events of the garden influence our whole theological viewpoint. The details do matter. Therefore, this book is a must in everyone’s library. It is coherent, clear, and compelling. One of the best books I read this year.

I received this book from Kregel Academic in return for a review but was under no obligation to provide a favorable review

0 of 0 people found the following review helpful.
Defending the Reality of Genesis 3
By Dave
Sometimes you might think that Satan is attacking the Bible in book-chapter-verse order. It might take him a while to accomplish his purpose as there still is a remnant who believe and are willing to fight for the veracity of the Scriptures. But, eventually he gets a foot in the door and that’s all he requires. Case in point Satan has already had widespread success in his attack on Genesis 1 and 2 with the attack coming from both outside and inside the walls of the church. Once Satan slithered through the doors of the church in his attack on Genesis 1 and 2, he began on the next chapter – Genesis 3. What about this whole incident in the garden? Did it really happen? Were Adam and Eve real people? And whoever heard of a talking serpent?

These issues (well, almost all of them) are what this volume engages. What Happened in the Garden: The Reality and Ramifications of the Creation and Fall of Man is a scholarly, technical defense of Genesis 3. The book consists of a series of focused essays that is divided into three parts: 1. Reality of Genesis 2-3, 2. Theological Ramifications of the Creation and Fall, and 3. Worldview Ramifications of the Creation and Fall. The volume is edited by Abner Chou, professor of biblical studies at The Master’s College and Seminary and published by Kregel Academic. The contributors are all experts in their various fields.

Chou readily admits that the content of the essays is technical by demand but that there was an attempt to make the material understandable to the lay reader by placing “technical detail in the footnotes.” Unfortunately, this goal had limited success. Virtually all of the essays contain various amounts of technical detail. But that is not to infer that the lay reader cannot digest the material. All of it is well-written and all of the arguments are presented logically. The technicality of the book is its nature. Each essay is specialized.

For example, if one is scientifically minded, Taylor B. Jones’ contribution entitled “Thermodynamics and the Fall – How the Curse Changed Our World” is a moderately technical examination of how the laws of thermodynamics were affected by what happened in Genesis 3. It will appeal to the science buff. Jo Suzuki engages the gender debate. John MacArthur provides the concluding chapter “A Sin of Historic Proportions,” one that will be liked by theologians and Bible students.

Bottom line: Regardless of your field of study or expertise, if you have even a passing interest in Genesis 3 and the importance of its literal interpretation, I would recommend that you examine this book even if you concentrated on the essays that attract your interest.

Disclaimer: This book was provided to me by Kregel Publications for a fair and honest review.

0 of 0 people found the following review helpful.
Excellent resource
By Anonymous User
How are we to understand the events of Geneses 1-3? Christians don't always agree on the interpretation of these three foundational chapters. Are we to take every word literally and at face value? How do we handle the apparent poetry? Is there room for disagreement? How do we address the hermenutical objections to a historical reading of the text? Are they with any merit? If so, how do we address these objections? What do these things tell us about who God is and how we relate to him? Furthermore, how do these things inform how we understand the world around us?

These are the types of questions that you will find addressed in What Happened in the Garden? This book is a collection of essays written by the faculty of The Master's College. The contributors have proven experience and expertise in the areas they write on and they write in such a way that the average person can understand and grapple with these issues. For those who wish to dig deeper, the contributors provide ample footnotes and it is here where the picture begins to zoom in and expose incredible detail. I especially appreciated chapter 8 in which Taylor B. Jones tackles the topic of "Thermodynamics and the Fall". This was, in my opinion, the single most convincing essay on the effects of sin on the physical world around us and the grace of God expressed by his creation of a world which, despite the effects of sin, has all the sustaining energy necessary for duration of its existence. This had a way of inspiring hope int he new creation and responsibility/stewardship for this current world.

The book is organized so that we are introduced to the reality of the text, and then forced to grapple with the resulting theological and worldview implications. Readers may find themselves disagreeing with the contributors at times and yet impressed by the breadth of their knowledge and the grace with which they address opposing views. This book certainly belongs in every church library and should also find a welcome home in personal libraries of those with a particular interest in the theology of Genesis 1-3. For my homeschooling friends, they will find that What Happened in the Garden provides rich lessons in hermeneutics, theology, and worldview.

Disclosure of Material Connection: I received this book free from Kregel Academic in exchange for an online review. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

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Monday, 5 April 2010

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GoatMan: How I Took a Holiday from Being Human, by Thomas Thwaites

The dazzling success of The Toaster Project, including TV appearances and an international book tour, leaves Thomas Thwaites in a slump. His friends increasingly behave like adults, while Thwaites still lives at home, "stuck in a big, dark hole." Luckily, a research grant offers the perfect out: a chance to take a holiday from the complications of being human—by transforming himself into a goat. What ensues is a hilarious and surreal journey through engineering, design, and psychology, as Thwaites interviews neuroscientists, animal behaviorists, prosthetists, goat sanctuary workers, and goatherds.

From this, he builds a goat exoskeleton—artificial legs, helmet, chest protector, raincoat from his mum, and a prosthetic goat stomach to digest grass (with help from a pressure cooker and campfire)—before setting off across the Alps on four legs with a herd of his fellow creatures. Will he make it? Do Thwaites and his readers discover what it truly means to be human?

GoatMan tells all in Thwaites's inimitable style, which NPR extols as "a laugh-out- loud-funny but thoughtful guide through his own adventures."

  • Sales Rank: #109662 in Books
  • Published on: 2016-05-17
  • Released on: 2016-05-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.63" h x .88" w x 5.88" l, .0 pounds
  • Binding: Hardcover
  • 208 pages

Review
"London designer Thomas Thwaites has turned his bizarre mission to bridge the boundary between Homo sapiens and other species by becoming "GoatMan" into an enlightening and funny book." -The Guardian

"A quirkily entertaining exploration of what it means to be human and what it might be like to be a goat." -Kirkus Reviews

"original, engaging and rather quirky book." -The New Statesman

"Thwaites's experiment is a whacky, refreshingly un-self-serious addition to these age-old conversations. Ultimately, it's about the nature of the human condition, and the strange, sometimes glorious lengths to which people go in attempt to escape it." -Hyperallergic

"Thwaites writes with a puppyish humour and an unquenchable enthusiasm. His book is beautifully designed, with thick, glossy paper and loads of colour photographs of a man in a goat costume clambering over alpine rocks." -Daily Mail

"Thwaites is an artist with an engineer's soul, and he approached becoming a goat through the lens of problem-solving..Rethinking who we are; dreaming up new ways of living; taking ourselves apart to build ourselves back up--for human beings, these activities are natural. They are our never-ending hunt." -The New Yorker

"Thwaites is a lovely writer with a scientific bent and loads of curiosity." -Toronto Star

"The book is full of wonderful photographs of the author in goat mode, including at his ultimate destination among a farmer's herd in Switzerland. This part of the book is riveting, not least because it shows how hard it is to be a goat (or any non-human animal). A scene where the author mistakenly and awkwardly climbs to the top of a hill, putting himself higher than the established, aggressive male goats of the mob, is spellbinding." -The Australian

"The book is a charming, humorous, and exceedingly thorough account of one man's attempt to use science and technology to take mindfulness woo-woo to its most absurd yet logical conclusion." -Vogue.com

"London-based designer Thomas Thwaites is a free spirit with the soul of an engineer. He tackles zany projects by applying established principles and a sense of humor..Thwaites is an amiable storyteller whose account is accompanied by dozens of photographs of his adventures." -Boston Globe

About the Author
Thomas Thwaites develops far reaching design projects, undertakes commissions for private companies, as well as making work for public organisations including London's Design Museum, the Wellcome Trust and the UK Engineering and Physical Sciences Research Council.

His work has been exhibited at major galleries worldwide, including at the National Museum of China, Ars Electronica in Austria, the Zero1 Biennial in California and The Science Museum in London. The Victoria & Albert Museum recently acquired his work, The Toaster Project, for their permanent collection.

He has presented a four part television series, aired on Discovery Channel Asia Pacific in 2013. His first book, The Toaster Project, is published by Princeton Architectural Press, and has now been translated in to Japanese and Korean editions.

Most helpful customer reviews

3 of 3 people found the following review helpful.
GoatMan. Be the change you want to goat.
By Nick
This book made me change my outlook on life and how I examine my day every morning. I am a goat we are all goats. Buy his book. Be a goat.

2 of 2 people found the following review helpful.
Five Stars
By Jean
Strange but true!

0 of 0 people found the following review helpful.
I enjoyed the read
By Nelson Castillo
It is an interesting book. I enjoyed the read. I wish the author had invested more in the last chapter but I guess that at this point there wasn't much because he was tired of the experiment (or that that part was hard).

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Friday, 2 April 2010

[B723.Ebook] PDF Download Into the Wilderness, by Sara Donati

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Into the Wilderness, by Sara Donati

Into the Wilderness, by Sara Donati



Into the Wilderness, by Sara Donati

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Into the Wilderness, by Sara Donati


Weaving a tapestry of fact and fiction, Sara Donati’s epic novel sweeps us into another time and place…and into a breathtaking story of love and survival in a land of savage beauty.

It is December of 1792. Elizabeth Middleton leaves her comfortable English estate to join her family in a remote New York mountain village. It is a place unlike any she has ever experienced. And she meets a man unlike any she has ever encountered—a white man dressed like a Native American: Nathaniel Bonner, known to the Mohawk people as Between-Two-Lives. Determined to provide schooling for all the children of the village, Elizabeth soon finds herself locked in conflict with the local slave owners as well as with her own family. Interweaving the fate of the Mohawk Nation with the destiny of two lovers, Sara Donati’s compelling novel creates a complex, profound, passionate portait of an emerging America.

  • Sales Rank: #37432 in Books
  • Brand: Delta
  • Published on: 2008-09-30
  • Released on: 2008-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.22" h x 1.58" w x 5.18" l, 1.45 pounds
  • Binding: Paperback
  • 896 pages
Features
  • Great product!

Amazon.com Review
In this ambitious and vibrant sequel to The Last of the Mohicans, Elizabeth Middleton, a well-educated spinster of 29, journeys from her home in England to her father's lands in upstate New York in 1792. Her widowed father has promised Elizabeth that she can become the schoolteacher for the local children, but on her arrival at Paradise, her father's property, she learns that he has brought her to America under false pretenses. It is his intention to find her a husband, preferably the well-respected physician, Richard Todd.

Though Elizabeth has no intention to marry, she is immediately drawn, not to Richard, but to backwoodsman Nathaniel Bonner, son of Dan'l "Hawkeye" Bonner, hero of the James Fenimore Cooper classic. Nathaniel's connection to the Mohican (Mahican) people is a strong one; he considers Hawkeye's adoptive father, Chingachgook, his grandfather, and his own wife was a Mahican woman who died in childbirth several years earlier.

Elizabeth learns from her father that her inheritance is a part of his lands, a mountain known as Hidden Wolf, to be granted to her when she marries. She soon finds herself caught between Nathaniel and the Mahicans, who want to buy back the mountain from her father as part of their hunting grounds, and Richard, who wants the land for himself and sees Elizabeth as the route to it. Her father, fearful that the sale of Hidden Wolf to the Mahicans will bring more Indians back to Paradise, favors Richard.

Knowing Richard's main interest in her is her land, Elizabeth resists his attentions as she gets to know Nathaniel and his people. The backwoodsmen and their Indian friends accept her and respect her opinions, and she soon finds herself siding with their claim to Hidden Wolf. Meanwhile, the attraction between her and Nathaniel grows into a love that only adds to the conflict between the whites and the Indians.

Into the Wilderness is an intelligent and beautifully written historical novel that draws the reader into another world. Elizabeth and Nathaniel are well-rounded and intelligent characters, and the secondary characters are also strong, three-dimensional, and often entertainingly quirky. Although the book is long--nearly 700 words--tight pacing makes it an entertaining read. Fans of Diana Gabaldon will want to watch for a cameo appearance by one of the characters of Gabaldon's stunning Outlander series. --Lisa Wanttaja

From Publishers Weekly
Epic in ambition, heaving-bosomed and lavish with pioneer life, Donati's debut inevitably invites comparison to the Revolutionary War-era romances of Diana Gabaldon. Claire Fraser, Gabaldon's time-traveling physician heroine, even makes a cameo appearance as a battlefield surgeon. Alas, Donati offers less wit and more cant than her celebrated precursor in a hefty volume that is politically correct to a fare-thee-well, suggesting that the author hoped single-handedly to reverse all race and gender bias. When Elizabeth Middleton, a proud spinster of 29, arrives in upstate Paradise, N.Y., after a sheltered life in England with her titled aunt, she means to live with her father, Alfred, a judge, and her wastrel brother, Julian, and teach school. Her father has a scheme, however. She is to marry Dr. Richard Todd and fulfill both men's ambitions for property. One look at rugged Nathaniel Bonner, a Scotsman raised by Mohawks (they call him Between-Two-Lives), and Lizzie scuttles her feminist disdain for marriage and her father's calculations. Nathaniel wants Judge Middleton's land, too, for his adoptive people?but, unlike Todd, he also wants Lizzie for herself. At first they are an enchanting couple, shooting at bad guys and making athletic love in unlikely woodsy settings. Then the charm falters as their adventures are padded with details that embroider without embellishing. Worse, the characters are color-by-numbers cartoons. Nathaniel is the only thoroughly admirable white male in the huge cast?upbringing having triumphed over blood?and no person of color has flaws. The many subplots are skillfully interwoven, and the author's sheer stamina commands respect; but the novel is complicated, not complex, overstuffed with familiar, featherweight themes. (Aug.) FYI: This novel is Donati's debut under her own name. Homestead, a book of short stories written under the pseudonym Rosina Lippi Green, was published by Delphinium.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
Much touted by its publicist, this first novel features Englishwoman Elizabeth Middleton, who hardly expects to fall for an American frontiersman when she travels to the New World.
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

229 of 238 people found the following review helpful.
More than a good read. . .
By A Customer
This is more than a book that you read, this is a story that you step into and take over. Anyone who loves Diana Gabaldon, historical romance, Daniel Day-Lewis in "The Last of the Mohicans" and/or thrilling adventures will LOVE this novel. I must correct some misinformation that the Amazon reviewer wrote, though. This story is NOT a sequel to James Fennimore Cooper's "Last of the Mohicans". Merely, some of his characters appear in this novel, along with Claire Fraser from the Outlander series by Diana Gabaldon. Rather, Sara Donati has weaved a story all her own using some familiar faces. If you go to the official "Into the Wilderness" web page you can read yourself that Ms. Donati did NOT write this as a sequel to Cooper's novel. She actually had Michael Mann's beautifully directed "Last of the Mohicans" in mind more, she says. Also, the review contained another error: Nathaniel's first wife was NOT Mohican, she was (in English) a Mohawk. I don't mean to bash anyone's review because I love Amazon but I just didn't want any misinformation about this wonderful novel out either! Enjoy!

0 of 0 people found the following review helpful.
But All In All An Excellent Read
By Teresa Ramseur
I found this to be an excellent read, despite the slow start, I found myself transported back in time, and swept up in the romance between Nathaniel and Elizabeth, their struggles and trials, and their triumphs, as well. There are shades of "Outlander" here, with at least a few characters from that series being mentioned. But as others have pointed out this isn't "Outlander", not by a long shot, but rather a series all it's own, with some very strong and well-developed characters and the landscapes are also beautifully and very detailed. My one sticking point would have to be the villains in this tale, especially the main one, he seemed rather weak compared to others in the novel. But all in all an excellent read, I can't wait to read the next installment in this series.

0 of 0 people found the following review helpful.
A great storyteller!
By Sandy H Sharp
I had tired of trying to find another author who could weave a story the way Gabaldon does. Sara Doneti has the stuff! Romance between two complex and different people who continuously find themselves courting disaster and adventure from one day to the next. Beautiful settings where you can see the textures and smell the fragrances. History of a time when exploring brought the risk of death or the reward of wild adventure and another day to live. I'm glad I found you Donati. I cannot put these books down and I'm sure I'll be reading them again.

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